February 14th, 2012
Happy Valentine’s Day!
Just sharing a little valentine cheer! :)

I’ve learned through my years in a children’s publishing house that publishers prefer to pair the manuscripts they acquire with their own vision for art style so almost never will take in art submitted with a proposal. Therefore, unless it’s a well-known author or a big budget is offered—these kinds of projects can be a lot of work with no real benefit for an illustrator.
But, I recently had a woman approach me with a book idea so fun & unique & fantastic…it really spoke to me, and she had a good understanding of the process and realistic expectations for her budget—so I took it on and created a few tight sketches and one finished piece to accompany her proposals. I can’t divulge too many details, but I love her character and her story—I had a blast creating these and she didn’t mind if I share.
These are 2 of the sketches; I inked the one she liked best, and the other I would love to revisit for a personal piece at some point.
Here’s the piece I did as a final; the story lends itself to a limited palette-so this was kind of a fun and different way for me to work…has a bit of a looser, more washy-feel to it.
I don’t expect much more to happen with these-though she did say her literary agent recognized and really liked my work. So we’ll see! :)
This cover was well-received, but before it went to print, the publisher decided to change it to reflect more of the epic adventure aspect of the story & appeal more to boys (especially since the main character is a boy). The final cover that they developed is similar to one of the initial concepts I had submitted, and I think what they ended up with looks fantastic! The book is a really great, super exciting read! I def. recommend checking it out!
Kendra is truly amazing. Please stop by and check out her website! http://www.kendralevin.com/Blog.html
SECRETS AT SEA is a wonderful middle-grade novel by award winning author Richard Peck. And I was lucky enough, as the jacket designer, to get to work with the fabulously talented Kelly Murphy on her amazing jacket and interior illustrations. (She’s so wonderful! Please check her out at http://www.kelmurphy.com/)
The nature of the story and the art lent itself to a hand-lettered type style, so my Art Director commissioned me to create the title. I’m happy to share, too, that this super sweet book has been getting 4-star reviews!
Over the summer I also worked on a lead title for Sourcebooks. The project has since been postponed and I’m not sure I’ll have the opportunity to revisit the design/image, so for now just giving a peek at the title type I created. This is a great book, and I really loved working on this one. I’ll be excited to see how the final ends up.
And this last one was initially part of the Sophie’s Mixed-Up Magic illustrations in initial rounds before they were killed.
Being a full-time staff designer, I had to pitch myself anonymously to my publisher to get this illustration assignment. I was thrilled to get the job and had a great time creating final art for 2 of the books. I also, however, had to sit through the big sales meeting where they ultimately decided that photography was a better direction for this particular series.
I know to some of my illustration friends, it sounded like torture to put myself directly into that meeting! But, having 8 years of experience in a big publishing house I know that feedback is just part of the creative process and not always a reflection on if the art is good or not; Rather it’s a decision on what is best for the project based on genre, trends, competition, author sales, positioning…and about a zillion other things. I’d being lying if I said I wasn’t a little disappointed that I didn’t get to see my art published for the final book, but I still completely enjoyed creating it. And, as a designer my challenge became solving the project in a new way (there’s always more than one good way!) So, I got to put on my Art Director cap and do a photoshoot for the final covers. The shoot was so much fun (come on, how often do you get to photograph a little girl on a flying carpet?!) and ultimately I am still pleased with the outcome of the covers. All around, everyone in house—as well as the author—was happier with these sleeker, more mass-commercial photographic packages.
The books go one sale next June, but since they are already listed on Amazon, I wanted to share the final covers as well as a little of the back story. Here’s 2 of them-side by side with the illustrations I had originally done. You can see I still was able to incorporate some of my swirly, decorative illustrated elements into the background.
All in all, it was a fun and interesting project for me, from both my viewpoints as an illustrator and a designer/art director. I definitely feel like having the behind-the-scenes look at a project like this is so beneficial for me in understanding the publishing industry overall. …And the books themselves are really cute! Check ‘em out! :)